Collaboration: The Art of Professionals Not Killing One Another – Guest Post by Tee Morris

It is with great pleasure (and no small amount of giddiness) that I present you with a guest post by one of my favorite authors. This guest post is part of a blog tour promoting the upcoming release of Dawn’s Early Light, the third installment of the Ministry of Peculiar Occurrences series. (Follow the links for my reviews of books one and two.) There’s also some information about a giveaway at the bottom!

Make sure you check back on Friday for my review of Dawn’s Early Light!


Photo by J.R. Blackwell
Photo by J.R. Blackwell

Creative collaboration is nothing new, but it seems to be a growing trend with authors and writing groups. There are teams like Terry Pratchett & Neil Gaiman, Sharon Lee & Steve Miller, or the numerous pairing-up’s that blockbuster authors like Tom Clancy and James Patterson are known for that make collaborations look like a great way to create a bestselling epic or kick off careers.

It’s also easy, isn’t it? You share the idea with a friend, split up the work, and then at the end, you have a manuscript, right?

Not by a longshot.

When authors collaborate, it’s different from team to team. What is essential in a successful collaboration is to tell a story—the same story—while remaining true to your own style. This tends to be the biggest stumbling block for authors who share a byline. When a book is co-written, there shouldn’t be a jump in styles. It can be jarring and yank a reader out of the story. Also, if the reader prefers one author’s voice over another, it may affect the way a reader takes the story you’re both trying to tell. Both Pip and I have our own way of writing, but there are similarities and compatibilities that led us to working together, and yeah, probably getting married.

No, we’re not suggesting you marry your writing partner or partners. We just got lucky that way.

But we digress…

Collaborations can happen when you least expect it, too. How Pip and I began our working relationship as writers began with one of us (Pip) looking to launch a podcast-for-pay idea while the other (That would be me…) wanted to promote a series idea. The compatibility of both ideas led to a rollicking steampunk adventure featuring archivist Wellington Books and pistol-packing agent Eliza D. Braun. We were casually putting this podcasting project together when our agent, Laurie McLean of Foreword Literary, told us of interest in our “new steampunk title” announced on our blogs. We then set out to write the novel the same way we were planning to write and produce the podcast script —from either Wellington’s or Eliza’s point-of-view.

With our idea fleshed out, collaboration started immediately with talking through plot developments and twists. Something we both learned in this brainstorming was there is no obligation to tell your partner about everything you want to throw at your shared characters and worlds. We surprise one another constantly with either one-liner gems or revelations that we will go deeper into detail during the editorial phase. What is important is that your surprises are justified. You have a good reason for doing what you do, not because you think it’s cool.

Editing is when we smooth out our distinctive styles by editing one another’s chapters, that trust comes into play. I am lucky in that Pip and I trust one another implicitly. We know that some things we write will make the cut, some will be removed, and some may be reimagined, provided we can keep the story moving and the plot solid. Often times, you will hear authors talk about the importance of trust in collaboration, but open communications trumps trust every time. What do we mean by open communications? Both of us have survived collaborations gone wrong, both of them involving a breakdown in the communications between our partners. While one of these instances was resolved more amicably than the other, we now understand the importance of planning for the worst-case scenario which is why we did. It’s important, if not imperative, that you plan for what to do if you or your partner lose interest, just in case the writing relationship takes a wrong turn somewhere.

Thankfully, after six years, we are still going strong.

The only time we find ourselves at odds with one another is when it comes to writing Interludes, the segments of our novels that are told from a variety of characters’ points-of-view. We both love writing for the Maestro and Sophia del Morte, and in Dawn’s Early Light we even have opportunities to get into Nikola Tesla’s head, so we burned through a few rounds of Rock-Paper-Scissors-Lizard-Spock and heated arguments over who was writing which scenes. Even with the other person writing a particular chapter, we remain each other’s best sounding board for ideas and character developments. We never forget that this is a collaboration, so it is our responsibility to find out the best ways of making plot developments work.

It’s a very special relationship we have, and we don’t take it for granted. Not for a second.

There are plenty of benefits we’ve found in the collaboration process, but it’s making one another laugh, smile, and even shudder at what we come up with that have their own rewards. Maybe we have a subversive competitive streak between us, but we do try to ramp up the tension for both Eliza and Wellington. Whenever one of us completes a chapter, we genuinely look forward to what surprises await us. It’s that ability to bounce ideas back and forth, either in pre-production or during the editorial process, that makes writing the books fun for us, and hopefully for others when they read them. Collaboration, when done right, makes the writing process less solitary.


Photo courtesy of Tee Morris.

Pip Ballantine and Tee Morris are the writing team behind the award-winning steampunk series, the Ministry of Peculiar Occurrences. While they both pursue individual fantasy and steampunk writing projects, they still manage to keep the magic of working together alive, while living together in Virginia, with their daughter, and a mighty clowder of cats. You can find them online together at and separately at and

Pip’s website|Pip’s Twitter|Tee’s website|Tee’s Twitter|The MOPO Facebook


Now for the giveaway info! At the end of the blog tour, there will be three winners chosen to win these amazing prizes!


  • Three paperback set (signed) of the Ministry of Peculiar Occurrences
  • Signed Abney Park Poster
  • Signed Abney Park CD Ancient World
  • Signed coverflats of Phoenix Rising and the Janus Affair


  • Three paperback set (signed) of the Ministry of Peculiar Occurrences
  • The Extraordinary Contraptions CD
  • Signed cover flat of Phoenix Rising


  • Three paperback set (signed) of the Ministry of Peculiar Occurrences


Recommended Reads: The Janus Affair: A Ministry of Peculiar Occurrences Novel

The second installment of this series from Pip Ballantine and Tee Morris flabbergasted me. I was so blown away, I could not write the review simply because it left me speechless. Now that I’ve regained my composure, I know exactly how to describe The Janus Affair.

(I would like to take a moment to inform my readers this book will be available at the end of May; my review is based on an advanced review copy.)

The Janus Affair is a maddening delight that proves impossible to set aside, even when the plot twists knock the wind from you. Agents Books and Braun are even more addictive this time around as we delve into each of their secrets. The new mysteries that arise are as delicious as the ones we receive answers to. Once again, the authors have created an infuriating pleasure that makes me want to beg on hands and knees for the next book.

It breaks my heart to imagine waiting several months–perhaps even a year–for the next installment, but wait I shall. In the meantime, I await the print release so I may purchase my own copy.

Pip Ballantine and Tee Morris are greatly responsible for my own interest (sometimes borderline obsession) with steampunk. When I endeavor to write steampunk, I look to them for guidance. Without them, I probably would have remained mostly ignorant of such a wonderous genre, subculture, fashion, and everything else that steampunk is. I will always be grateful to them, and I hope one day I can meet them and express my thanks in person.

You can read my review for the first book, Phoenix Rising, or head over to the Ministry of Peculiar Occurrences website.